Since the release of Makoto Shinkai’s latest film, The Garden of Words, the general reaction to it has been positive with unanimous agreement that it is a visually stimulating work of art. Unfortunately, there also seems to be a number of people who think that The Garden of Words is lacking in story, character development, and closure. I have to disagree with those people as I found the 45 minute film to be bursting with hidden meanings that address all of those things. In fact, I think The Garden of Words is Shinkai’s most thought-out and deliberate film and I will discuss why by offering some of my interpretations.
I have structured this post to cover aspects in roughly the same order that they make a significant appearance in the film. It may seem awkward with the way they’re connected, but it helps to highlight just how much is going on in the background.